GENEALOGIAS DA DANÇA

Authors

DOI:

https://doi.org/10.19123/


Keywords:

dança grega antiga, teoria do coro, recepção

Abstract

The fascination in resuming historical artistic modes has stimulated the development of styles and aesthetics in dance. Like trying to form a tradition and, at the same time, be inserted in time, such procedures postulate what it is called ‘constructed genealogies’: expressive mediations between past and present. In this paper, I discuss these genealogies through the study of recent reinterpretations of Greek dance.

References

GADAMER, H-G. H-G. Verdade e método. Vozes, 1999.

LEHMANN,H-T. Teatro pós- dramático. Cosac&Naif, 2007.

LEY, G. The theatricality of Greek tragedy. The University of Chicago Press, 2007.

MOTA, M. Nos passos de Homero. Performance como argumento na Antiguidade. In: Revista VIS 9(2010):21-59. Disponível em: <http://www.ida.unb.br/revistavis/revista%20vis%20v9%20n2.pdf>. Acesso em: 20 jan. 2011.

WILES, D. Greek Theatre Performance. Cambridge University Press, 2000.

WILES, D. Tragedy in Athens. Cambrigdge University Press, 1997.

WILSON, P. The Athenian Institution of Khoregia: the chorus, the city and the stage. Cambridge University Press, 2000

Published

2012-05-30

Data Availability Statement

Dados disponibilizados.

Issue

Section

Linguística, Letras e Artes

Categories

How to Cite

MOTA, Marcus. GENEALOGIAS DA DANÇA. Revista Eixo, Brasília, v. 1, n. 1, p. 21–30, 2012. DOI: 10.19123/. Disponível em: https://revistaeixo.ifb.edu.br/index.php/revistaeixo/article/view/376.. Acesso em: 13 aug. 2026.

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